Soprano

Sort By:  
Cantata à voce sola di soprano con flauto
£5.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à soprano e basso con violini
£7.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano con flauto
£5.95
Cantata à voce sola di soprano
£4.95
Duetto da camera à soprano e contralto
£5.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à due, soprano e contralto con violini
£7.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano con violini
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata per Camera a due Soprani Clori e Lidia Compagne
£5.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Duetto da camera à voce di soprano e contralto
£6.95
Cantata à voce sola di soprano con flauti
£5.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
A Bononcini: Idol mio bel tesoro
Forces: soprano, flute & continuo

Eyes like darts and a face that ensnares, how could he resist? A cantata with flauto from the lesser-known Bononcini, but by no means the lesser composer. Some stunning writing here in this ARA format cantata from a manuscript in the Naples Conservatorio library.

Editor: James Sanderson

Cantata à voce sola di soprano con flauto
£5.95
A Scarlatti: Agitato mio core
Forces: soprano & continuo

Dated on the first page as 'in Albano 1704'. Despite Eurilla's promise of fidelity her erstwhile beloved is nervous (small wonder with her track history) and his heart is all 'a-flutter'. RARA format with a particularly interesting format for the first aria Quietati.

Source: Münster Santini Sammlung Hs 3907(1)

Range: e - a''

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Amo, e negar nol posso
Forces: soprano & continuo

Dated on the first page as 'Decembre 1704'. A large work with three recits and arias, two of the arias being particularly exciting and the third a lovely Siciliano. The subject deals with the power of love, once again.

Source: Münster Santini Sammlung Hs 3907(4) There is also a possible attribution to Sarro

Range: d - a''

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Andate o miei sospiri
Forces: soprano & continuo

"Go, oh my sighs, to Irene's heart, May it know of my pains by you..." An intensely chromatic work with two versions of the final aria. In most sources dated 10 March, 1712 and was composed in response to a cantata by Francesco Gasparini based on the same text. The second version of the final aria aria here is from a later version with the subtitle: con idea inumana, in regolato cromatico, ma non è per ogni professore – the final aria itself is inscribed with the words: Altr'aria capriccio dell' Autore

Range: d - g'

Editor: Kate Eckersley & James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Bei Prati, freschi rivi
Forces: soprano & continuo

A beautiful cantata showing Scarlatti in great inventive mode. The theme is of love lost or gone away: death would be preferable, but even after death he is sure still to long for her. He calls Nature to witness his suffering, but only the merest echo comes back as a reply. RARA format, both arias complicated and chromatic and the recitatives full of harmonic twists and turns.

Source: Münster Santini Sammlung HS 3915(3)

Range: c - g'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Bel Dorino, amata Clori
Forces: soprano, bass, violins & continuo

An unusual work from the collection of the Landesbibliotek Mecklenburg-Vorpommern, Mus. 4829. It is a love story between the two singers summed up by the final lines "...vivo sol per Clori/Dorino..."

The cantata is attributed to Alessandro Scarlatti in Grove, however Hanley was not sure and the style is unusual, no recits, but four duets with the central movement an harmonic mine-field.

Editor: James Sanderson

Cantata à soprano e basso con violini
£7.95
A Scarlatti: Che Sisifo infelice
Forces: soprano & continuo

The subject deals with that old favourite 'lontananza' or separation using the image of Sisyphus pushing rocks uphill to illustrate the hopelessness of the lover's cause. A cantata with much to recommend it, come great recitative and aria writing. RARA format.

Source: Münster Santini Samlung HS 3977

Range: d - f#'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Chi sà dove è la speranza
Forces: soprano, flute & continuo

Fillide is totally in love with Olindo and hopes that Cupid will support her love (she's not confident!) while he is away (lontananza). A lovely, simple example of a single line obligato accompaniment to soprano and continuo.

The source is Münster Santini Sammlung Hs 3975, provided by Sascha Mommertz. The cantata is simply inscribed Cantata a voce sola con flauto and there may be some question as to the attribution to A Scarlatti, although Hs 3975 contains a large number of cantatas ascribed to A Scarlatti.

Editor: James Sanderson

Cantata à voce sola di soprano con flauto
£5.95
A Scarlatti: Cinta dei più bei fiori
Forces: soprano & continuo

"Surrounded by so many beautiful flowers" and so much beautiful music. This is a substantial pastoral cantata (with an appearance by the faithless Clori) in RARARA format. Sinuous recitative and stunning arias!

Range: e - g'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Clori e Mirtillo
Forces: soprano, alto & continuo Source: Santini HS 3903

A totally charming duo cantata in which Love is neither insulted nor threatened! The lovers, Clori and Mirtillo, are actually happy AND in one another's company. This of course leads to quite a lot of music - two duets and an aria each, all linked with some excellent recitative.

Range (Clori): g - g'
Range (Mirtillo): c - c'

Editor: James Sanderson

Duetto da camera à soprano e contralto
£5.95
A Scarlatti: Deh' torna amico sonno (Il Sonno)
Forces: soprano & continuo

Here, dreams are the only escape from the pain of love. 'Oh come, oh merciful sleep...' In torturously complex recitatives and two characterful arias, Scarlatti shows himself once again to the be the master of the genre. From two sources in the Naples Conservatorii - Cantate 23 (7) and 255 (24) and dated September 22nd, 1716, this is a real gem.

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Del lagrimoso lido (Euridice dall'inferno)
Forces: soprano & continuo

The Orfeo story as told by Euridice, who implores Orfeo to recover her from hell (Aria 1), then addresses the Furies in the dramatic 2nd Aria with contrasting B section. The text of Aria 3 expresses cautious optimism, but the music undermines this with a fragmented coloratura in f# minor. Powerful recitatives and contrasted arias (b minor, F major, f# minor) make this a strong character portrayal. The edition gives Scarlatti's two settings of Aria 1 - the first a chromatic ground bass, the 'other way' a more modern cantabile aria, both capturing the pathos of Euridice.

Range - e'-a''

Form: R-A-R-A-R-A

Editor: Rosalind Halton

Cantata à voce sola di soprano
£5.95
A Scarlatti: Del' Tirreno à le sponde
Forces: soprano & continuo

Source: BL Add MS 14211 ff 58r - 64r

This sad, pastoral cantata sees our hero Fileno languishing for lost love (of Clori of course) on the banks of the Tyrrhenian Sea - the scene of many a fevered brow! In double recit-aria format, both arias andante but vastly different. Some excellent changes from secco recit into arioso.

Range: e - g'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Della spietata Irene
Forces: soprano & continuo

Why do these men keep coming back for more? This perfidious Irene can kill with a glance, has Cupid on her side and just doesn't care! One of Scarlatti's more chromatic offerings in RARA format, both arias full of peno.

Range d - f'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Dove fuggi, ò bella Clori?
Forces: soprano, alto, violins & continuo

A virtuoso duet cantata for soprano and alto with strings, a mini-opera with wit, pathos, and brilliance. Lidio is in hot pursuit of Clori - but she scorns love and all his protestations, until in the final duet they join in praise of the joys and pains of love. Published by kind permission of the Diözesan-Bibliothek, Münster.

Range Clori: d'-g''
Range Lidio: b-c''

Editor: Rosalind Halton

Cantata à due, soprano e contralto con violini
£7.95
A Scarlatti: E come, oh Dio
Forces: soprano & continuo

[ca.1697/8]

Remarkable, dramatic recitatives, female narrator, theme of jealousy caused by separation; range: d'- g

Editor: Rosalind Halton

Cantata à voce sola di soprano
£4.95
A Scarlatti: Era giunta quell' ora
Forces: soprano & continuo

Dated on the first page as '29 Novembre 1704'. Our protagonist has given in to the power of love and once more Fileno will be in Clori's arms. Her breast has far more allure than anything else! RARA format with two rapid-fire arias including an excellent Minuet.

Source: Münster Santini Sammlung Hs 3907(6)

Range: e - a''

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Fileno, quel Fileno
Forces: soprano, violins & continuo

The work consists of the two recitative-two aria structure, with each aria accompanied by unison violins, and in the keys of B minor and G major respectively. The attribution is added in what is apparently the same hand providing the attribution and date to a number of cantata and serenata manuscripts in the Santini Collection, including Filli che fra gl'orrori, dated 1706.

In the beautiful kingdom of love there is hope only when faith reigns in a heart.

Vocal range: e’-g’’

Editor: Rosalind Halton

Cantata à voce sola di soprano con violini
£4.95
A Scarlatti: Fille, Fille, dolente Fille
Forces: soprano & continuo

As the title suggests, Fille is sad...but, disturbingly, she likes the treatment she is getting from Tirsi: 'I will enjoy my pains, because I adore the chains...' Disturbing! A wonderful cantata in RARA format, Scarlatti at his most harmonically adventurous.

Source: Naples, Cantate 266

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Fille, mia cara Fille
Forces: soprano & continuo

A wonderfully chromatic work from 1704 (November 4th), the chromaticism expressing the tortures of loving such an unfaithful woman as Fille (the usual). Long, complex recitatives and two very contrasting arias.

Range: d - f#'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Filli adorata, e cara
Forces: soprano & continuo

Why do these men suffer so? Despite being separated from his beloved, our protagonist sings of his love for her being the reason for his life. His soul yearns and his death will swiftly follow, should she not return. Yeah, right! RARA format, one aria slow and sinuous, the other fast and virtuosic.

Range c - g'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Filli e Clori, 'Amica, hora che Aprile'
Forces: 2 sopranos, violins & continuo

Sources: edition based on 4 17th-early 18th century manuscripts in the Santini Collection (Münster), the British Library, and the Bodleian Library, Oxford. [the details are in the editorial notes]

Description: Filli persuades the reluctant Clori to abandon city life for the delights of the country, where she is sure to make new conquests in the hunt of love. Both Filli and Clori have 2 arias of 2 strophes each, interspersed with ritornelli. In the magical final duet, the girls agree to prepare their feet for dancing, and their arms for the hunt. Cardinal Ottoboni's documents mention a performance of 'Amica, hora che Aprile' dated 13 July, 1694. The survival of this work in several sources suggests it was a well-known work in its day.

Editor: Rosalind Halton

Cantata à due soprani e violini
£9.95
A Scarlatti: Già sorge l'Alba (Dorisbe cacciatrice)
Forces: soprano & continuo

A large cantata telling the story of the huntress Dorisbe. Her face is compared to the snares of Cupid, her bow to Cupid's darts and the listener is exhorted to hunt animals, not Love. In a complicated RAARARAA format, the last aria gradually becoming arioso then recitative. Some excellent hunting motifs in the music, particularly evoking the sound of the hunting horn.

Sources: Münster Santini Sammlung HS 3977 and HS 864

Range: c - g'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Il ciel seren, le fresche aurette (La Primavera)
Forces: 2 sopranos & continuo

Source: Santini Collection, 3901 Diözesan Bibliothek, Münster

La Primavera depicts a scene in which two girls await the return of their lovers, Tirsi and Fileno. Spring, the melting of ice, and the return of flowers, happiness and love are the subject of the girls’ conversation.

Vocal Ranges
Clori: d’- g’’
Lidia: d’- g’’

Editor: Rosalind Halton

Cantata per Camera a due Soprani Clori e Lidia Compagne
£5.95
A Scarlatti: Il genio di Mitilde
Forces: soprano & continuo

Source: Paris Bibliothèque Nationale, MS D.11840

The capricious Mitilde has more moods than the sea has storms, and Scarlatti depicts her in a fiery cantata with exciting demands for singer, cellist and keyboard player.

Range - e' g''.

2 Recits and arias: 1. Spiritoso, D minor; 2. Alla breve, A major

Editor: Rosalind Halton

Cantata à voce sola di soprano
£4.95
A Scarlatti: In vano Amor tiranno
Forces: soprano & continuo

The first line says it all: Cupid is trying to destroy another young man's life with his darts and this guy is fighting back! An extensive work in RARARA format, the first two arias slow and sinuous, the last more matter-of-fact and resigned to fate.

Range: d - g'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Io son Neron (Il Nerone)
Forces: soprano & continuo

This cantata was written in 1698 and is from a manuscript with a number of other mythological or historical themes rather than pastoral. The self-styled 'Emperor of the World', Nero, is certainly enjoying his ego! Florid and virtuosic. RARARAR format with a fiery recitative finish.

Source: Münster Santini Sammlung HS 3909

Range: d - b'' flat

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: La dove a Mergellina
Forces: Soprano & continuo

There at Mergellina where the sea kisses the shore, the lovelorn Elpino went alone one day, addressing the waves: "Love him that loves you..." A stunning example of the genre in a long-awaited edition from Rosalind Halton and a must have for the lovers of cantate de camera. In RARA format and taken from two sources, Naples and London.

Editor: Rosalind Halton

Cantata à voce sola di soprano
£4.95
A Scarlatti: La morte di Mitilde
Forces: soprano & continuo

Mitilde dies and with her dies the flame of Love. A challenging and fascinating example in RARA format, the recitatives travelling through widely disparate tonalities and the contrasting arias, one a stunning Adagio and one a classic cut-common rage against the tyrant, have very clearly defined characters and great musical values.

The source is a manuscript in the Naples collections. Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Libertà del mio cor
Forces: soprano & continuo

[ca.1709] - one source only extant.
Theme of the bird seeking freedom/ the lover freedom from love. Virtuoso aria 1, final siciliano very beautiful.

Range: d'-g''. A major/D major.

Editor: Rosalind Halton

Cantata à voce sola di soprano
£4.95
A Scarlatti: Lisa, del fuoco mio (Clori e Lisa)
Forces: 2 sopranos & continuo

Dated the 28th of February, 1706, these two ladies are bemoaning the sacrifices necessary for the inevitability of love: loss of liberty and constant heart-ache... 2 duets, an aria each and gossiping recitative link this musical conversation, quite a little drama!

Editor: James Sanderson

Duetto da camera à due soprano
£5.95
A Scarlatti: Lontan dall' Idol mio
Forces: soprano & continuo

Sources: 7 MS sources, as described in the notes, dated 1699 in one source (Bodleian Library, Oxford).

Subject: the illusion of love being present, though far away. This is one of the most profound and passionate settings by Scarlatti on the theme of distance and separation, from its opening interval - a minor 9th - to the wild despairing modulations within the final Siciliano aria.

Featured on chacona's recording 'Olimpia: cantatas of Alessandro Scarlatti'.

Vocal range: d'-g''

Editor: Rosalind Halton

Cantata à voce sola di soprano
£4.95
A Scarlatti: Marc Antonio e Cleopatra
Forces: soprano, alto & continuo

Source: MS.3901, Santini Collection of the Diözesan Library, Münster. It is the only source of this work, which consists of chamber duets with basso continuo. One of the works, the famous 'Questo silenzio ombroso' carries the comment '1707 in Urbino'.

This is a substantial chamber duet with recits & arias for both characters as well as two extensive duets.

Editor: James Sanderson

Duetto da camera à voce di soprano e contralto
£6.95
A Scarlatti: Mentre Clori la bella sotto l'ombra d'un mirto
Forces: soprano, 2 flutes & continuo

Clori is being very insensitive, sitting beneath her Myrtle tree and enjoying the breeze whilst Fileno is suffering all the torments of love! In RARARA format with two of the arias with 2 flutes accompaniment and 2 with ritornelli. A lovely piece with some very interesting use of harmony...

Source: Münster Santini Sammlung Hs 3975(2)

Range: d - a''

Editor: James Sanderson

Cantata à voce sola di soprano con flauti
£5.95
A Scarlatti: Mesto lasso, e ramingo
Forces: soprano & continuo

Dated on the first page as June of 1704. Submerged in sadness and sorrow, our protagonist pleads with Fate for release. In regular RARA format with a quirky 3/4 first aria and a lovely, pleading Siciliano to finish.

Source: Source: Münster Santini Sammlung Hs 3907(2)

Range: d - g'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Mi tormenta il pensiero (i)
Forces: soprano & continuo

The first version of this cantata, dated 10 March 1701 in Scarlatti's 'Cantata Diary'. 'Tormented by my thoughts, consumed with desire, lost is hope, and without hope what point is there in life?' The torments of Jealousy in love. RARA format.

Source: Münster Santini Sammlung HS 864(7)

Range: d - g'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
Per Page      1 - 36 of 288